Oliver Wang

Oliver Wang is a music writer, scholar, and DJ based in California. Since 1994, he's written on popular music, culture, race, and America for outlets such as NPR, Vibe, Wax Poetics, Scratch, The Village Voice, SF Bay Guardian, and LA Weekly.

Wang begins work as an assistant professor in sociology at Long Beach State this fall; He also hosts the renowned audioblog soul-sides.com. For more information, visit o-dub.com.

Los Angeles musician Gabriel Reyes-Whittaker had a problem: A few years ago, he was asked to tackle the weighty subject of Latin American modernism in sound. His response was to invent a new persona, and to restrict himself to a spare and specific set of tools. Under the new name Frankie Reyes, he set off to record a dozen instrumental versions of Spanish-language ballads and waltzes from the 1930s through the '60s, using only a vintage analog synthesizer.

The names James Brown and Apollo Theater have practically become synonymous; it's hard to think of one without the other. Beginning in 1963, Brown released three albums recorded there. But there was a fourth — recordings from Sept. 13 and 14, 1972 — that has been buried ever since. Now, Get Down with James Brown: Live At The Apollo Vol. 4 is finally out on vinyl, with a CD to follow this summer.

I'm not sure there's ever been a record release as confounding as the one for Kanye West's The Life Of Pablo. He's changed its title and track listing several times in as many weeks, and even up until the very moment I'm writing this, it's not 100 percent certain what will be on that final album, whenever and wherever it comes out.

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