Kevin Whitehead http://wvtf.org en After A Painful Year, Bud Powell's Triumpant 1953 Return http://wvtf.org/post/after-painful-year-bud-powells-triumpant-1953-return The great bebop pianist <a href="http://www.npr.org/artists/15404849/bud-powell">Bud Powell</a> played several engagements at the New York jazz club Birdland in 1953. Parts of his shows were broadcast on the radio, and one listener recorded some onto acetate discs. A new collection of those recordings is out now: <em>Birdland 1953</em> on three CDs from <a href="http://www.espdisk.com/official/catalog/4073.html" target="_blank">ESP-Disk'</a>. The sound quality isn't much, but the music is terrific. Mon, 24 Mar 2014 18:14:00 +0000 Kevin Whitehead 18929 at http://wvtf.org After A Painful Year, Bud Powell's Triumpant 1953 Return Box Set Illustrates Clifford Jordan's Impeccable Taste In Musicians http://wvtf.org/post/box-set-illustrates-clifford-jordans-impeccable-taste-musicians Transcript <p>TERRY GROSS, HOST: <p>This is FRESH AIR. Starting in the late 1960s, jazz saxophonist Clifford Jordan produced a series of recordings mostly by other leaders that came out on the musician's own Strata-East label. Those seven albums are now collected in a box set. Jazz critic Kevin Whitehead says Jordan the producer had impeccable taste in musicians.<p>(SOUNDBITE OF MUSIC)<p>KEVIN WHITEHEAD, BYLINE: Clifford Jordan on tenor from a 1968 quartet date led by bassist Wilbur Ware with Edward Blackwell on drums. Wed, 12 Mar 2014 16:56:00 +0000 Kevin Whitehead 18366 at http://wvtf.org Still 'Out To Lunch' 50 Years Later http://wvtf.org/post/still-out-lunch-50-years-later 1964 was a great year for cutting-edge jazz records like <a href="http://www.npr.org/artists/15404711/albert-ayler">Albert Ayler</a>'s <em>Spiritual Unity</em>, <a href="http://www.npr.org/artists/15394783/john-coltrane">John Coltrane</a>'s <em>A Love Supreme </em>and <a href="http://www.npr.org/artists/15121790/andrew-hill">Andrew Hill</a>'s <em>Point of Departure</em>. But none sounds as far ahead of its time as <a href="http://www.npr.org/artists/15404201/eric-dolphy">Eric Dolphy</a>'s masterpiece <em>Out to Lunch</em>, recorded for Blue Note on Feb. 25, 1964. Tue, 25 Feb 2014 20:02:00 +0000 Kevin Whitehead 17730 at http://wvtf.org Still 'Out To Lunch' 50 Years Later In Session: Frank Wess' 'Magic 201' Offers One Last Lesson http://wvtf.org/post/session-frank-wess-magic-201-offers-one-last-lesson <a href="http://www.npr.org/artists/18155899/frank-wess">Frank Wess</a>' new album, <em>Magic 201</em>, is a sequel to last year's similar helping of ballads and midtempo strollers, <em>Magic 101</em>. The new album is very nearly every bit as good, and made a little more poignant by Wess' death just before Halloween. On his last session as a leader in 2011, he was still sounding strong at 89.<p>When Wess was coming up, his hero was the dry and slippery saxophonist <a href="http://www.npr.org/artists/15389052/lester-young">Lester Young</a>, who gave him a few pointers. Tue, 11 Feb 2014 20:43:00 +0000 Kevin Whitehead 17130 at http://wvtf.org In Session: Frank Wess' 'Magic 201' Offers One Last Lesson Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads http://wvtf.org/post/too-much-good-thing-jane-ira-blooms-beautiful-ballads When soprano saxophonist <a href="http://www.npr.org/artists/87942215/jane-ira-bloom">Jane Ira Bloom</a> plays <a href="http://www.npr.org/artists/15235424/kurt-weill">Kurt Weill</a>'s "My Ship" on her new album <em>Sixteen Sunsets</em>, a pale glow around her notes comes from a simple special effect: pointing her horn under the hood of a piano whose strings are free to resonate. Bloom has always been preoccupied with sound, and has one of the prettiest, clearest tones around on soprano. Fri, 31 Jan 2014 21:08:00 +0000 Kevin Whitehead 16659 at http://wvtf.org Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads