Fresh Air on RADIO IQ

Weekdays at Noon on RADIO IQ
Terry Gross

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every weekday she delights intelligent and curious listeners with revelations on contemporary societal concerns.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR stations. 

Fresh Air is on RADIO IQ and RADIO IQ With BBC News at noon Monday through Saturday.

Fresh Air is on WVTF weekdays at 6:30 pm and Sundays at 6:00 pm.

Composer ID: 
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Remembrances
3:02 pm
Tue February 25, 2014

Harold Ramis On Working At 'Playboy' And Writing 'Animal House'

Ramis, shown here in Chicago in 2009, died of complications related to autoimmune inflammatory vasculitis on Monday.
Tasos Katopodis Getty Images for The Second City

Comedy actor, writer and director Harold Ramis is best known for the 1984 film Ghostbusters, which he co-wrote and starred in along with Bill Murray and Dan Aykroyd. Ramis had co-written and planned to star in the long-awaited Ghostbusters III — but did not get the chance. Ramis died Monday in Chicago from an autoimmune disorder. He was 69 years old.

Ramis co-wrote Animal House, Meatballs and Stripes. He co-wrote and directed Caddyshack and directed Murray in Groundhog Day.

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Music Reviews
3:02 pm
Tue February 25, 2014

Still 'Out To Lunch' 50 Years Later

Eric Dolphy in Copenhagen, 1961.
JP Jazz Archive Redferns

Originally published on Tue February 25, 2014 5:15 pm

1964 was a great year for cutting-edge jazz records like Albert Ayler's Spiritual Unity, John Coltrane's A Love Supreme and Andrew Hill's Point of Departure. But none sounds as far ahead of its time as Eric Dolphy's masterpiece Out to Lunch, recorded for Blue Note on Feb. 25, 1964.

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Author Interviews
2:23 pm
Tue February 25, 2014

During World War I, Germany Unleashed 'Terrorist Cell In America'

A fireboat sits amid ruins and debris on the piers at Black Tom Island in Jersey City, N.J., on July 30, 1916. Evidence pointed to German sabotage. In Dark Invasion, Howard Blum explores Germany's spy network and sabotage efforts in the U.S. at the beginning of World War I.
AP

Originally published on Wed February 26, 2014 12:06 pm

In the early years of World War I, as many as 1,000 American horses per day were shipped off to Europe to assist in the Allied war effort, even though the United States was officially neutral. Those horses became the target of germ warfare, infected with anthrax cultures on American soil; at the same time, mysterious explosions were rocking U.S. munitions factories, and fires were breaking out on ships headed to Europe.

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All Tech Considered
2:15 pm
Mon February 24, 2014

If You Think You're Anonymous Online, Think Again

Sure, you can try doing your Internet browsing this way, but we can't promise that it will help you protect your personal data online.
iStockphoto

Originally published on Wed February 26, 2014 11:00 am

Investigative reporter Julia Angwin was curious what Google knew about her, so she asked the company for her search data. "It turns out I had been doing about 26,000 Google searches a month ... and I was amazed at how revealing they were," she tells Fresh Air's Dave Davies.

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Music Reviews
2:15 pm
Mon February 24, 2014

Vertical Scratchers: Slashed Chords, Fractured Poetry

Vertical Scratchers.
Joseph Amario Courtesy of the artist

The members of Vertical Scratchers don't have to pretend: They are free spirits, making music that is at once tightly composed, whimsical and anarchic.

The vocals on a Vertical Scratchers song tend to be high-pitched and yearning. John Schmersal creates harmonies from his vocal tracks that have a keening romanticism. His guitar lines are a series of slashed chords — vertical scratching, and thus the band's name. At the same time, there's a compressed intensity to the tunes, which uncoil with a snap, again and again.

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