A native of Berkeley Heights, N.J., Peter Sagal attended Harvard University and subsequently squandered that education while working as a literary manager for a regional theater, a movie publicist, a stage director, an actor, an extra in a Michael Jackson video, a travel writer, an essayist, a ghost writer for a former adult film impresario and a staff writer for a motorcycle magazine.
He is the author of numerous plays that have been performed in large and small theaters around the country and abroad, including Long Wharf Theater, Actors Theater of Louisville, Seattle Repertory, and Florida Stage. He has also written a number of screenplays, including Savage, a cheesy vehicle for obscure French kickboxer Olivier Gruner, and Cuba Mine, an original screenplay that became, without his knowledge, the basis for Dirty Dancing: Havana Nights.
Among Sagal's honors in the theater are a DramaLogue award for directing, grants from the Jerome and McKnight Foundations and a residency grant at the Camargo Foundation in Cassis, France. He has been commissioned to write new plays by the Seattle Repertory Theater and the Wind Dancer Theater and has been invited to work on his plays at Sundance, the Eugene O'Neill Theater Center and the New Harmony Project.
In 1997, Peter joined the panel of a new news quiz show on NPR, co-produced by WBEZ-Chicago, that made its debut on-air in January of 1998. In May of that year, he moved to Chicago to become the host of the show. Since then, Wait Wait...Don't Tell Me! has become one of the most popular shows on public radio, heard by nearly three million listeners on 520 public radio stations nationwide, and heard by a million people every month via podcast.
For a wacky and whip-smart approach to the week's news and newsmakers, listen no further than Wait Wait…Don’t Tell Me!, the oddly informative news quiz from NPR.
During each fast-paced, irreverent show, host Peter Sagal leads what might be characterized as the news Olympics. Callers, panelists, and guests compete by answering questions about the week's events, identifying impersonations, filling in the blanks at lightening speed, sniffing out fake news items, and deciphering limericks.
Listeners vie for a chance to win the most coveted prize in radio: having official judge and scorekeeper Carl Kasell record the outgoing message on their home answering machine.