Nate Chinen

The livestream has concluded.

Every year since 1982, the National Endowment For the Arts has inducted a new class of NEA Jazz Masters, honoring lifetime achievement across a broad range of personalities and backgrounds. The 2018 class is no exception, as we'll see during a tribute concert at the Kennedy Center in Washington D.C. next Monday, which will be streamed live on this page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Milford Graves and Jason Moran were listening hard at the Big Ears Festival on Friday evening, and in this they were far from alone. Their spontaneous musical dialogue, onstage at the elegant Bijou Theater in Knoxville, Tenn., suggested a merging of the ancient and the ultramodern, aglow with an ephemeral sort of grace. At one point, Moran's deep, mournful sonorities at the piano led Graves toward a murmuring hush at the drums, as if anything else would break the spell.

Terence Blanchard has always been drawn to a form of lyricism that runs burnished and bittersweet. You can track this mood throughout his career as a post-bop trumpeter, and no less in his dozens of film scores, in and beyond a long affiliation with Spike Lee.

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