Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is a critic-in-residence and lecturer at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014 (paperback forthcoming May 2015). Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency:

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

In Patti Smith's new memoir, the "M Train" figures as a Magical Mystery line. She rides it far off into Memoryland, and her snaking Mental trains of thought carry her into reveries on subjects as wide-ranging as her passionate appetite for detective stories and her surprising membership in an elite scientific society devoted to the subject of continental drift.

Writer Jojo Moyes has a name that lacks gravitas. To be honest, I even feel a bit silly saying her name when I recommend her novels to people — which I do, often and energetically. It's hard to imagine a "Jojo" ever winning the Nobel Prize for Literature; but Moyes has already won a pretty good consolation prize — that is, the kind of staunch, adoring readership that will follow her novels anywhere they go.

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If you don't know Elena Ferrante — and judging by conversations I've had, many readers still don't know her books — it's partly because Ferrante herself doesn't want to be known.

"I believe that books, once they are written, have no need of their authors," Ferrante declared in a letter to her publisher in 1991 when her first novel, Troubling Love, was about to come out. "If [books] have something to say," Ferrante continued, "they will sooner or later find readers; if not, they won't."

About two-thirds of the way through Jonathan Franzen's big new novel, Purity, we're told about an "ambitious project" conceived by a young artist named Anabel. Anabel finds it strange that people can go through their lives without "having made the most basic acquaintance with [their bodies] ...