David Bianculli

David Bianculli is a guest host and TV critic on NPR's Fresh Air with Terry Gross. A contributor to the show since its inception, he has been a TV critic since 1975.

From 1993 to 2007, Bianculli was a TV critic for the New York Daily News.

Bianculli has written three books: Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour (Simon & Schuster/Touchstone, 2009), Teleliteracy: Taking Television Seriously (1992), and Dictionary of Teleliteracy (1996).

An associate professor of TV and film at Rowan University in New Jersey, Bianculli is also the founder and editor of the online magazine, TVWorthWatching.com.

A Very Murray Christmas is directed and co-written by Sofia Coppola, who also worked with Bill Murray on the movie Lost in Translation. In that film, Murray played an actor in Japan, reluctantly doing a series of commercials there, and not at all happy.

In A Very Murray Christmas, Murray starts out in much the same mood — he's in his room at New York's Carlyle Hotel, killing time with old friend Paul Shaffer, who's noodling at the piano. Outside, a snowstorm is raging. Inside, Bill Murray is pouting and singing a somber Christmas song.

Copyright 2015 Fresh Air. To see more, visit http://www.npr.org/programs/fresh-air/.

Transcript

DAVE DAVIES, HOST:

For broadcast TV, this year's fall season has been decidedly, and disappointingly, below average, especially for drama series. But on streaming television, there's a new show — available on Amazon Prime Video in its first-season entirety on Friday — that's about to change all that.

The show is called The Man in the High Castle. It's based on a novel by Philip K. Dick, the same writer whose stories inspired the movies Blade Runner and Total Recall, and it's excellent.

Copyright 2015 Fresh Air. To see more, visit http://www.npr.org/programs/fresh-air/.

Transcript

TERRY GROSS, HOST:

Supergirl, premiering Monday night on CBS, follows in the same path of other prime-time DC Comics superheroes established on the CW by Arrow and The Flash. And they're only part of a much wider trend, because superheroes are as popular, and profitable, on TV as they are in the movies.

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