From NPR News this is ALL THINGS CONSIDERED. I'm Audie Cornish.
ROBERT SIEGEL, HOST:
And I'm Robert Siegel. After more than a year of denials by the IRS, a director at the agency apologized today for its targeting of Tea Party and patriot groups. As NPR's Peter Overby reports, the apology has reignited a political controversy.
Allison Amend is out with her third book. It's a novel called "A Nearly Perfect Copy." It features richly detailed characters, including an art dealer gone bad, and it's set in both Paris and New York. Our review Alan Cheuse found it all quite delectable.
World Shattered, a cocktail by Tyler Fry of the Chicago bar The Violet Hour. The drink includes R. Franklin's Original Recipe Malort, and tames the bitterness with lemon, honey syrup, raspberry and mint.
Credit Courtesy of Eden Laurin
A photo from the Flickr group <a href="http://www.flickr.com/groups/malortface/">Malort Face</a>, memorializing the facial expressions of people who try malort.
The people who make Jeppson's Malort, a harshly bitter spirit that's consumed in shots or cocktails, don't mind that their product makes people grimace. Instead, they celebrate it.
Carl Jeppson Co., a Chicago company, has built a minor social media empire around malort's "brutal" flavor; one winner of its slogan contest described the drink as "turning taste buds into taste foes for generations."
A young Sarah Polley and her actor father, Michael Polley, on a long-ago day; the photo is one of many family memories that surface in <em>Stories We Tell,</em> a superb meditation on dramatizing memory from the director of <em>Away from Her.</em>
Credit Roadside Attractions
Polley in the present day, with her Super-8 camera.
Sarah Polley grew up the fifth of five children in a Canadian theatrical family. Her father, Michael, is a transplanted British actor; her mother, Diane, was an actress and casting director. No wonder Sarah feels her family's narrative has the stuff of drama.
"I'm interested in the way we tell stories about our lives," she says in the film, "about the fact that the truth about the past is often ephemeral and difficult to pin down."