April is the cruelest month, according to one of the most famous poems in the English language. Perhaps to take the edge off of April, the Academy of American Poets chose it as the month to draw attention to the art and legacy of poetry — and the achievement of American poets.
We're celebrating this month by hearing from young poets about how they chose — or were chosen by — poetry, and why poetry — one of the oldest human art forms — still matters.
You might think alarm bells would be sounding in Washington, given the warnings coming out of North Korea. But when they talk about North Korea, U.S. officials are sounding like exasperated parents responding to a child's tantrum.
At the White House on Friday, spokesman Jay Carney said the United States "would not be surprised" if North Korea actually carries out a missile test.
Roger Ebert was a critic, not a blowtorch. He could be sharp if he thought a movie insulted the audience, but had a champ's disdain for a cheap shot.
Many critics ridiculed the film Deep Throat when it came out in 1973. Who couldn't mock its absurdities? Roger just wrote, "If you have to work this hard at sexual freedom, maybe it isn't worth the effort."
Roger Ebert was a Chicago newspaperman who typed with two fingers — it sounded like a machine gun, columnist Bob Greene remembered on Friday — who was from the age when reporters were fueled by ink and booze.
Willemjin Verkaik is the latest leading lady to play Elphaba, the misunderstood green girl who grows up to become the Wicked Witch of the West in Broadway's long-running Wicked. She has also played the role in Dutch and German in Europe.
Credit Joan Marcus
Hugh Panaro plays the title character — here done up as The Red Death for the show's spectacular masked-ball scene — in The Phantom of the Opera, Broadway's longest-running show. Twenty-two years ago, Panaro made his debut with the show as Raoul, the male romantic lead.
Credit Joan Marcus / Disney
Tshidi Manye (center) as the baboon narrator Rafiki, with the ensemble of The Lion King. The long-running adaptation of the popular Disney animated film has been on Broadway for 15 years.
When I was a teenager falling in love with the theater, I picked up a book called Broadway's Greatest Musicals. The sole criterion for inclusion was that a show run for at least 500 performances, which translates to about a year and a quarter.